The initial texture of “Fly Me To The Moon” has some interesting tendencies. Scarlett Johansson is brought in as a PR spinner to help make NASA a cool, well-oiled machine. The irony or play of the element within the story is what gives it pause. Realistically, in the character build and execution, it makes total sense and as a character piece, it is very contextual. But to build such a large scale film around this kind of story is an interesting risk

Viola Davis can rule a screen but it reflects in the range that she is always able to bring. “The Woman King” has her as the head commander of a tribal army led by females. Like the Samurai they take certain rules but unlike those perhaps, there is more of a hidden trauma that fuels these women, though they are hardest on others like them.

The intention of a super hero versus a super villain comes down to motivation and the aspect of path. "Morbius" seems very aware of this and that is where the would-be balance would lie. The interesting element is trying to see what film each character is playing.

The texture of "Spiderman" reflects in who a certain generation needs him to be. The aspect of "No Way Home" indicates an existential crisis which the whole last film with Mysterio was built to set up into its final moments. "No Way Home" isn't a clean movie by any means and it could work just as well as a large scale series because of the literal way it works.

"Ghostbusters: Afterlife" is an admirable try and actually throws certain degrees of texture to the wind while others are closely followed. The movie pays homage and explains the aspect of how the myth of the Ghostbusters in the 80s was built up and why it waned. However then some of the characters take severe perspectives of truth.