IR Film Review: THE WOMAN KING [TriStar/Sony]
Viola Davis can rule a screen but it reflects in the range that she is always able to bring. “The Woman King” has her as the head commander of a tribal army led by females. Like the Samurai they take certain rules but unlike those perhaps, there is more of a hidden trauma that fuels these women, though they are hardest on others like them. As Nanisca, Davis is hardened and vicious and yet fair and impartial. She protects the Kingdom of Dahomey in Africa ruled by King Ghezo (an effective John Boyega) who himself has an enlightened view but, as in the time, sometimes does not see the whole picture nor allows morality as an affront to what needs to be done.
Set during the slave trade, there is an interesting dichotomy shown that is both self-reflexive but also survival-set. Thuso Mbedu plays Nawi who refuses to marry a man her adopted father in the tribe picked for her so he gives her to the King, She is instead recruited into the Hobe, the female army. The build of her training, her mistakes, making new friends and comrades and her reflection in good and bad ways with Nanisca fuel the fire. There are many interesting side aspects that reflect the Samurai/Jedi aspect including honor, sacrifice and the barring of relationships. This all feeds very succinctly into the path of all the characters but especially Nanisca. There is significant humor but it is based in the fervor of the situation which isn't a normal society but true nonetheless.
The physical prowess of Davis is commanding as it is with Izogie (an also impressive Lashana Lynch). But Davis, whether in front of the army, bathing and holding court in a bathhouse or overseeing ritual, has the feel of a lioness. But as dark forces from all sides including political, emotional and physical move in, the real intent moves in. The plot is sensible in that way and actually despite the fanfare it is those moments (actually in quiet) where nothing is said and no word passes in the night (or the day) that are the most powerful and emotional (especially from Davis at many points). There is one near the end that proves this power and might be the key to her Oscar chances. Davis has the ability to emote while protecting, to have power while also being reluctant. And in an epic period film like this which hasn't really taken this perspective before, it is both unique and affecting because it is about choices made, no matter the cost. A
By Tim Wassberg
