The texture of "Plane" has not been unseen in movie memory but its effectiveness is undeniably sound. Instead of more CG or heightened thrillers, Gerard Butler has delivered a more grounded, economical but also well paced and well acted action movie.

The concept of an action film on a train definitely has been done in different ways from “Money Train” to “Unstoppable” to even “Snowpiercer”. “Bullet Train” is a little more motley than most and has its day-glo spin but, in a way, it is just enjoyable bubble gum with not much to it but enough interesting characters, comedy and fights to keep the ball rolling sufficiently.

“Prey" in a way strips it down and takes away everything except the Predator itself. And what is its purpose? To hunt. And with its technology and interstellar capability, the creatures have probably been doing it for many millennia. That is actually a great starting point. Have this apex predator hunt in certain eras. "Prey" chooses the Comanche Nation in the early 1700s.

The intensity of "The Gray Man" is not to be underdone. It is a bombastic tour de force technically but devoid at many points of substance. In a film like this, the key is to play to the anti-hero and keep moving. But even with something to fight for and a lack of any romance at all, there is an emptiness to it.

Making an action film that is accessible both to young women and cool enough to appeal to the young male demographic is few and far between. "The Princess" does it admirably while still sticking to its mid-range budget guns and almost despite a high body count keeping it relatively bloodless

The trajectory of a Michael Bay movie is an interesting amalgamation of the man and his work ethic. "Ambulance" is Bay lean and mean but would be a career highlight for any other person. The substance isn't overt but the attitude and the energy are non-stop.

The texture of a female led action film should not be considered an unbalanced affair and "The 355" proves that. From the first time this journalist heard a couple years ago around Cannes that Jessica Chastain was trying to bring kick ass women from all over the globe for a spy thriller, it was an instant sell.

"Copshop", a lower budget but efficient par-for-the-course entry from director Joe Carnahan continues to shows his love but also texture to make small taut action movies.

In "Shang-Chi & The Legend Of The Ten Rings", it is a pendulum swing back and forth melding the aspect of the Marvel Comics with both an Asian sensibility and a Western flair.