Creating a play on the horror genre with a sense of anticipation depends sometimes on perception of the idea being written but in many ways sometimes who is cast. An interesting play with "Bodies Bodies Bodies" is casting Amandla Stenberg with Maria Bakolova as a couple who enter into a house party right before a hurricane at the film's inset.

The essence of practical but lower budget thriller fare is sometimes few and far between especially with established actors not phoning it in. With "Black Site", Michelle Monaghan gets to play her bad ass self without sacrificing some deeper drama.

The spectre of a greater war and where the balance lies creates an interesting parallel of what people are willing to die for and what makes a difference. Noomi Rapace as an actor has always been interested in talking chances and moving against the grain while still exploring basic psychology and physical parameters.

"Deep Water" is based on a Patricia High Smith novel. And while it is not Ripley it does have characters who both have secrets but also make decisions for their own reasons. Armas and Affleck play a married couple separated by time, instinct and place in life.

Suffice to say, "Old" has an idea of the metaphorical story it wants to tell while reflecting a real world ideal of what is for the greater good.

The texture of "The Woman In The Window" is an interesting one but it is perspective that it perhaps moves a little too broadly within the narrative. Based on the novel by A.J. Finn, the book itself (having talked to the author just before this adaptation began shooting) was a mediation on his own insomnia.

What "Crisis" really is about is the opioid crisis from the three angles that it needs to be seen from to get a helicopter perspective. The first is from the research and commerce side which Oldman is embroiled with. The second is Armie Hammer as an undercover agent working in enforcement for the DEA trying to trap some dealers by posing as one. The third is a mother played by Evangeline Lilly who undergoes a trauma which brings her in a way into the orbit of Hammer's op, albeit peripherally

While the film wants to have harks to "Sicario" and "Scarface" in certain ways, especially with the inclusion of Steven Bauer (from "Scarface") as the father, it is the imbalances of an independent production that come through (though it does the best with what it has).