In this progression of "Apokolips" there is a change of focus. In an interesting irony, watching the loss and decimation of the Justice League allows for the stakes to be much higher. While some context structures work, others seems too generic.On the whole the use of the paradoxes as well as the concept of the parademons works quite well.

"Blood Quantum" is the aspect of being able to gauge genetic heredity in the native population to determine rights within the reservation setting according to exterior government. This is used as the basis within the story to create both the genre and the practical structure of how the zombie wave affect the people and their defense of it.

The acting is good, organic and not stilted but the problem is within the script which operates tightly with a build n the beginning but seems to meander in its meaning a little too much as it personifies its ending with an author taking credit for understanding Ned in the guise of politics.

The texture of Mortal Kombat in the mainstream has always played clean even though the video games themselves were, many times, extremely violent. But older video games as they were done could make it a little more palatable. The new "Mortal Kombat Legends: Scorpions Revenge" pulls the gloves off in a great way.

Making a follow up to "The Big Lebowski" in any way, shape or form is an interesting quandary. Jesus Quintana, who just had a small ode in that seminal film, was seemingly a pervert who just lived to bowl and start trouble with his bowling alley competitors.

"Onward" works well and bring in textures of mythology but within the context of a modern world. It is intrinsic but, despite the quest motif, almost seems smaller than one would expect.

"The Invisible Man" is much better than it has any right to be but that is because of the committed nature of Elizabeth Moss and Whannel knowing how to work with cinematic perspective for much of the movie without anything really being there...but also knowing not to pull the punches when need be.

The resolution is typical graphic novel style overload but undeniably entertaining with the set up ripe for engagement and continuation. "Guns Akimbo" is good fun with its tongue-in-cheek, a good sense of itself and a flagrant style.

"The Call Of The Wild" does it differently and, as a result, benefits from what would be seen as a more natural performance of the dog. The dog of course is not a dog at all but motion captured but the way it is done seems undeniable.