The essence of doing something like "Wolf Man" the Blumhouse route comes down to perspective. Director Leigh Whannell, known originally for his work with the "Saw" franchise, has been smart in building his resume making these lean and mean films for producer Jason Blum when he could have naturally probably gone and tried bigger fare. "Wolf Man," like certain aspects of Ti West, benefits from this approach.

The aspect of innocence lost is sometimes based in the context of ignorance. The original "Exorcist" painted in the lines of the proponent of purity versus the conservative nature possibly of the church. With "The Exorcist: Believer", the filmmakers try to take a similar approach but with not enough narrative backbone and delivery to create the stakes.

"The Invisible Man" is much better than it has any right to be but that is because of the committed nature of Elizabeth Moss and Whannel knowing how to work with cinematic perspective for much of the movie without anything really being there...but also knowing not to pull the punches when need be.

Overall the film though maintains its pace while getting slightly sloppy at the end because all details can ride together…but "Fantasy Island" knows its audience, still wanting to give them scares but without creeping or goring them out too much