The texture of a Dreamworks animation film has usually reflected in its reflexity to the modern climate. While "Ruby Gillman: Teenage Kraken" does this in a certain way, it more caters to a smaller demographic. The story of a young girl finding her identity before growing into her own skin has been done before (and definitely at times) with greater gusto.

"The Boss Baby: Family Business" doesn't reinvent in the wheel but it knows its IP well enough to understand its needs but also push its boundaries.