The essence of “The Crow” is always going to be shadowed by Brandon Lee. “The Crow” [1994] was a product of its time and had a mythical edge of sorts to it which is understandable which was only heightened by its circumstances. The new iteration starring Bill Skarsgard and directed by “Snow White and the Huntsman” helmer Rupert Sanders is remarkably beautiful in many ways.

The tenaciousness of John Wick has turned into something ethereal, less realistic in any sense and more the aspect of myth in his path of nilistic existence. With "John Wick: Chapter 4", the ampage continues to build but like samurais of old, using certain contemplations and ideas of what can be to make the world spin.

The context of horror depends on expectation and what one thinks of the path going in. With "Barbarian", even with the influx of how the trailers built the film up, it is about the misdirect and perspective of the audience. But the idea revolves in how it plays out. This usually has to do with structure and the intensity of what the reveal is.