IR Film Review: BLOOD FLOWER [Shudder]
The essence of the Djinn mythology has played a large part in the context of Far East mythology specifically in Indonesia and the Indian subcontinent. Using this element in a horror structure while surrounding it with social context, conscience and battles of good vs. evil creates complex ideals that are both intense and yet mythic and thematic through and through. Dain Said, as a writer/director (this reviewer first met him at SXSW and interviewed him for his film "Bunohan") isn't afraid to descend into dark territory but many times the narrative flow begins from a sense of loss that needs reconnecting. "Blood Flower" (premiering on Shudder) is a little more linear, despite some disturbing imagery and energy, but many times, this is what is needed to push the story forward (though the mythological subtext cannot be avoid). The main structure follows Igdal (Idan Aedan) who is cursed/blessed with a gift of being able to see demons and combat them (like his mother). But this is the story of a person unable quite yet to summon his power and confidence (he is still a teenager and makes mistakes in decision making).
Most of the film takes place inside a building circling mostly around a flower/plant trade with a smuggler of sorts taking exotic elements from Sumatra. He leaves, leaving the care of them in the hands of a neighbor (though problems ensue). The biological is very much a theme of the film but also the push of what people are capable of, because of society and their own motivations. Igbal's father Norman (Bront Paralae) tries to lead his son down the correct path but in trying to protect him perhaps compounds the problem. The effects work is of course very bloody but also unnerving at times which is Said's trademark in many ways. Specifically the character of Ah Boy (Arnie Sasha) creates an interesting dichotomy of flight or flight which is many ways cannot be contained. There is also a vision of a netherworld which is specifically rendered which is many ways could have its own mythology in so many ways (think "Nightbreed"). Though "Blood Flower" at times steps over the line, it does have a specific throughline that is both visceral and reflective. B
By Tim Wassberg
