Actor Luke Evans talks to The Inside Reel about environment, characterization and chemistry in regards to his new action film: “Weekend In Taipei” from Ketchup Entertainment.

Actor Sung Kang and Co-Writer/Director George Huang talk to The Inside Reel about approach, concept and representation in regards to their new action film: “Weekend In Taipei” from Ketchup Entertainment.

Co-Hosts/Wildlife Experts Dr. Rae Wynn-Grant & Peter Gros talk to The Inside Reel about evolution of the show. technology and new aspects of animal understanding and behavior in regards to the 2nd season of the new iteration of "Mutual Of Omaha's Wild Kingdom" entitled "Protecting The Wild" on NBC.

Using forced perspective as the basis for a film is one thing but when director Robert Zemeckis does it, it can take on a whole other level. Here he tries many things and has a fantastic script but only achieved an elative level a few times and once when it simply allows itself to be lyrical.

The perspective on a current Venom film is usually a bunch of random scenes with the possibility of maybe some interesting character work smelted inside in some way shape or form. The question is how does this integrate into a bigger fabric or does it? “Venom: The Last Dance” does nothing really to bring this to bear.

The progression of a horror film that is both in the mind and on the ground is an interesting juxtaposition. The problem with “Never Let Go” is that it never quite defines what it is. Mama (Halle Berry) and her children are seemingly the only survivors of a world gone mad. But the actual perpetrator, even in the finale, doesn’t quite come to bear.