Heading into “Pokemon: Detective Pikachu” without a necessary knowledge of the world at all doesn’t take away from its enjoyment as its metaphoric parallels definitely key into many universal themes. Going into the film with no true ideal beyond the fact that Ryan Reynolds was playing said Pikachu gave an interesting structure but not decidedly so. Justice Smith in the initial viewing does bear an undeniable resemblance to Will Smith who he is indeed not related to but this is only a compliment since the acting chops are there, though his technique needs to fall away since the inherent charisma shines through. It also makes the eventual resolution play quite well. While the reasoning of the Pokemon makes sense, it is only in later scenes including with a newspaper intern and her pokemon: a very nervous duck that it indeed registers almost as an Id of the person it connects with. This allows many of the scenes to work quite well. Reynolds did motion capture but was not on set per se but it is quite intensive how well it is created to make it feel that way. Pikachu is inherently Reynolds persona but it would have been nearly impossible to make it work in the room simply because of the size of the character.
Backing away from the technical though, a lot of the scenes feel organic while others are implemented for maximum FX effect. The ending is decidedly overwrought but the break in and escape from a facility from its trajectory to overall impact actually gives a true conception of the world, heart and all. It is in that moment that the Pokemon universe, even to the untrained, feels symbiotic. Reynolds slightly off-cut humor, which still stays inside PG bounds, works well though it would be interesting to perceive how much was improvised or actually recorded before the film shot. Justice’s reactions are fairly believable but it is interesting to debate what came first: Reynold’s performance or his. Reynolds also offers a bit of drama at one point which sometimes he downplays because there is a small divide between snarky and melodrama. Nevertheless the inherent themes of the film ring true even if the ending battle (despite having a hark back to the original 1989 “Batman” film) feels slightly empty. That said, “Detective Pikachu” plays the gamut of a complete story within the Pokemon gumshoe genre while still appealing to a multi-national and generational audience.
By Tim Wassberg
The texture of a movie like “Shazam” is to find the balance of tone that creates an interesting diametric and dynamic. Overall in actuality, the movie is a mixed bag with enough energy and might to make it entertaining but with not enough originality to make it transformative. There is a no awesome “ah-ha” moment and, in many points, it devolves into simple fanboy structure without a necessity for logic. Now granted when these are functioning as montages with 80s songs, it can connect. But in comparison to say “Guardians Of The Galaxy”, there is no heart. The intention at the focus of the story about family should feel more connected and meaningingful. The director and star Zachary Levi are certainly trying but you almost see too much of their effort on screen which means it wasn’t inherently natural. Levi is very earnest…maybe too much so though he does convey the awkwardness of Billy Batson very well. The construct of the conflict itself is basic…and perhaps it needs to be but that doesn’t change the fact that it feels at many points unfulfilling.
The actual introduction to the movie which introduces another character has much more breathe of thought but that too is wasted in that character’s development. Mark Strong’s role as an adversary comes off as hollow. It could have been a deep seated regret and texture of family that really would have given the film more texture. Many aspects in this regard seem unfinished. “Shazam” is not a bad film…it just seems very incomplete. And again the aspect of heart and tone within DC, even the standalone films which worked to a good degree in “Wonder Woman” and “Aquaman” doesn’t connect here. Sometimes, the film goes very dark in places without that balance…and, as a result, feels empty. Even the final sequences which should reflect a culmination seems almost haphazard. But as a takeback, it is great to see a superhero movie like this made since “Shazam” is the most likable superhero at times but seeing these flaws on screen instead of that perfect role model shows that we are all fallible.
By Tim Wassberg
As franchises evolve, so do their storylines. Simple is better but when dealing with mythology (and, even more daringly, pop culture), time is very finite but it is also finding the balance of two worlds, between demographics, between ages, sometimes even between genders. “Lego Movie 2: The Second Part” uses the essence of playtime as a perception for the travels of Emmett through the essence of his human counterpart. While it is an interesting construct, sometimes the interplay can be a little haphazard. The key might have been never showing the live action faces. That jarring perception between reality and animation can be tricky. Here, the essence of the plot, unlike the first one is not just welcoming a new person into the world but also growing up and learning to share. That definitely supplants an interesting tone since one side of the coin is male (think apocalypse) and the other side is female (outer space, filled with the notion of love with a bit of darkness). This texture again can work well but there is never a brilliant moment despite the overarching structure.
Chris Pratt, as always, brings his game, but what is real great as the secondary character Rex Dangervest is that Pratt infers a pretty dead on impression of Kurt Russell/Jack Burton into the mix. Granted the lines aren’t anywhere near as sarcastic or funny as “Big Trouble In Little China” but there is that sense of connection (to “Guardians Of The Galaxy Vol. 2” anyway). This part of the story is the most engaging because it is the story of the Id and unfurls a slightly darker tone. On the reverse, Tiffany Haddish as the alien queen brings a sort of sass, though the musical sequences can be a bit schmaltzy even in their attempt at being sardonic. With a darker texture, there were little glimpses of “Audrey II” in “Little Shop Of Horrors”. Will Arnett continues his disassemblage of Batman, whose lines land the most laughs, likely because of improv at times. Alison Brie as Unkitty is fun but limited in her scope. Nick Offerman as Metalbeard fares a little better but because the film needs to move at a brisk pace sometimes character development gets less priority than the next sequence. The eventual resolution plays at nostalgia but the build at the pinnacle of the second act is a tricky essence to write out of. It uses 80s strategy in terms of balance despite plot holes. Ultimately “Lego Movie 2: The Second Part” is fun but not very transformative.
By Tim Wassberg