The last time the “Stumptown” vision undertook this reviewer was the pilot after which I did an interview with the two leads played by Colbie Smulders & Jake Johnson. Through the trajectory of the season, the pace seems like it has been fairly consistent but the season finale “All
Hands On Dex” seems to filter in the idea of a little bit more melodrama than would have been expected. The music, which made the first episode of the series so textured, is still there with correct context. The humor itself though seems a little more sparse as if it is just moving the
needle to keep up. Dex, played by Smulders, is trying to uncover a murderer which has been dogging her from earlier in the season. But the character truly seems to have its wings when she is not overly pushing with episodic plot elements.
Granted this is the season finale so it needs to wrap certain elements up. However “Stumptown”, even the one I read in the graphic novel, had more of a “Rockford Files” element to it. The structure of the series always reflects back to family which in certain more bare moments, Dex seems to forget. This is part of the beauty of the character but it has to be balanced in check. Certain scenes bring it back into focus including one set in a church with the perfect music accompaniment. But the more textured one is in the opening scene which reflects more in the subconscious of Dex than anything else. The tenure of the series is based more in reveals but looking at the beginning and the end, it is simply good if the character simply is. Her own life and not her extended drama is enough to make the show effective.
By Tim Wassberg
After the inset of The Bad Batch which., in itself, is a story about the search for identity, the next story arc in “Gone With A Trace” would seem to be one that diametrically needs to be addressed. Ahsoka Tano, as the long standing padewan to Anakin Skywalker, has the biggest perception (almost more so than Padme) to the psychological degregation that brought Anakin to the dark side. More than Luke and almost Obi Wan, she knows him best which is why her expulsion or leaving depending on how one sees it from the Jedi Order is a bit of a wormhole in the story since we have never seen her in live action. She re-emerged in essence in “Rebels” and we saw her have an interaction that is one of the more dynamic encounters in animation in Vader in that series. But in this episode, it is about reconnecting with those less fortunate which is what being a Jedi is. But as with most perceptions of government, people on the lower levels have lost faith.
This first episode shows Ahsoka finding her way. She has the street smarts and the Jedi know how where she could fumble through and scam her way into situations but those are not the values she was taught. While the story focuses back to simple, it is those baseline connections whether one is talking about the end of “The Last Jedi” or “Joker” where certain basic human interactions introduce a path, either to be led astray or to push forward. This first tome in Ahsoka’s journey shows her connection to loyalty but also a judgmental attitude in others. The one thing that seems to come through to her though is the inherent good nature of people. The charity and compassion is what comes forth as the values of this episode. Even when the survival instinct cuts in, the reasoning is sound. But Ahsoka’s path is complicated for she knows a bigger world but at least she sees the reality of those that the power plays of the Universe shows. She should meet up with Ventress to discuss the existential nature of their predicament.
By Tim Wassberg
The proliferation of a journey resides in the impact of the ending point and the lessons learned in its transgression. “Picard”, as it continues in “Et in Arcadia Ego – Part 1” as a man is a continually flawed character, one we could not have likely seen back in the Next Generation phase. He is a man blinded in certain ways by his altruism and ego. He has a mortality that he doesn’t want to face but also an ambition that basically he can’t cash. He wants to be a savior but is stuck in the certain visage of a false messiah. This of course is not his fault. It is simply the crux of the story he finds himself in. The pilgrimage of sorts to a lone planet led by Soji opens both answers and more questions. The reality is that the motivation of humans as the predominant force in the universe is the crux of the conversation at the heart of the series. Even going back to “Star Trek: The Motion Picture” and even into the original series with “I, Mudd”, this reflects on the idea of what it means to be a synthetic being. The discussion also resides in the idea of what has happened before will happen again.
The Romulans, in many perceptions have the right idea but the progressions of the series is based in a false assumption. It is the idea of ego and assuming what something or a certain vision might mean, and not what it actually is. The introduction of an offspring of a certain positronic scientist is an interesting one but also an imbalanced introduction, though certain details point to an interesting construct. When it comes down to it an apocalypse is coming but what is interesting is that the deliverance, in all seriousness, might come down to those who exist halfway between worlds. It will reside in those that understand both the sides of pure machine intelligence and a bit of humanity. These decisions can only be made by those with views on both sides which encapsulates a couple different characters, so the narrative push could go in a variety of different ways. But that is what makes the adventure worth exploring, especially if a certain redemption is in the cards.
By Tim Wassberg