The essence of politics and law can be a tricky slope. The intention of what characters do and don’t do are usually reflective of how they live their lives and what they want to accomplish. In “Pearson”, which focuses on the travails of one Jessica Pearson who formerly ran a law firm in New York in “Suits” is an interesting transmutation.
At a TCA panel attended when “Pearson” was announced, Gina Torres discussed how she thought she was done with this world but that this series gave her an interesting balancing act. As the focal point, it is about Pearson’s deconstruction without losing the elements that make her character who she is. Pearson was always a fixer but here she is a fish out of water. She has all her experience but has to learn the new path of fixing problems in a city that continues in its paradoxical ways.
Chicago is a ripe city for this series to be set, both reflective of its history and because of its history. It doesn’t make the mechanizations too dense within the plot but also understands that nobody is clean yet all are dipped in shades of gray. There is something gnawing at every single one of the characters…no matter how virtuous or altruistic they think they are. Bethany Jo Lenz as City Attorney Keri Allen brings a balance of power and vulnerability which is an interesting diametric to Pearson. Isabel Arraiza as Yoli Castillo reflects in a different manne with a subtext and subtle innerworkings that remind one of Meghan Markle in “Suits” albeit from a different perspective.
The notion of family also has a very specific tenure within the story on many fronts, including the mayor and his brother, two halves of the same whole but with different understanding of sacrifice and loyalty. Morgan Spector as Mayor Bobby Golec walks the line between glib and vilified, inspiring and decadent…sometimes the mark of a true politician. There is also a balance of optimism introspected by Eli Goree as Derrick the press secretary and even Chantel Riley’s Angela who is cousin and parallel to Jessica but with the exact opposite problems in many ways as the lead character.
The season (without spoilers) progresses in a sense of stopping a dam but realizing the cracks being formed or simply becoming more pronounced. The series knows the puzzle pieces it is constructing but also the plot points it needs to hit. It isn’t a by-the-books procedural in any way since the characters move awkwardly with real intention which can only be accomplished through subtlety in writing.
Pearson as a character is an enigma but one icy enough that an audience can root for her but now also fallible enough to know what can and can’t be solved hence making her more accessible to the audience. Chicago, like all of America, is about fighting what is right but knowing that paths are meant to be circular. The notion of identity examined in “Pearson”, both about who we are and who we want to be is a conscious awareness that its lead character continues to traverse.
By Tim Wassberg