International structure in terms of dramatic tension and the sense of the sublime and the supernatural was an inherent theme in many of the films of the Santa Barbara International Film Festival this year.
Maracaibo The texture of lives lost through arrogance or perhaps even lack of compassion or foresight in this Argentinean drama. Here a doctor is unable to process the death of his son but the personality trait that divided them. His life becomes undone because the notion of masculinity and understanding has changed in modern society yet old school values or perceptions especially in old world countries remain. While inherently melodramatic, the eventual resolution shows that there was no divide per se just misunderstanding. The role of the mother/wife definitely takes on an inherent device since her desires versus her idea of how her husband can and should react take on particular resonance in one kitchen scenes. An inherent psychological portrait without too many reveals or revelations yet serviceable.
Scary Mother This film out of Georgia in the Russian arena is an interesting perception of societal norms and intents against a seemingly Cold War backdrop even though it is modern time. A mother is in some circles an underground sensation with her obscene but profound writing. But her process by which to intercede her life and then makes it a build of darkness for her creativity is an interesting one. She is willing ti sacrifice her family to find that balance. Her use of her relationship with her father in terms of both his expectation and dominance is interesting since he almost paints the portrait of why the writing speaks to inherent ego, especially when he believes it is a man writing the prose. Her family provides an interesting funnel of maturity especially the daughter who looks at life in a tecture more practical than her mother while the reflexity of smart phones and how apps can make you look older seems to shun the mother almost as if she were reflecting as Medusa to her reflection. She speaks of mythological creatures and her writing space is bathed in red suggesting an almost purgatory. There are some interesting ideas in this tome, many of which don’t come to fruition while others linger with the audience.
Grand Cur The essence of Burgundy, where a close friend still owns a old house in the middle of town, is steeped in old world traditions. This documentary follows a man of wine who came over from Montreal and because one of the most renown winemakers in the region. The documentary observes the politics that intercede but alsoexplores the climate problems in a very matter of fact way that shows how unseen hail and a freeze on the vineyards completely can change the perspective of what the land can produce. The science, again in an unassuming way, is explored to show why that land creates such wine but also how any change of it can cause problems because the land value is so high, even compared to California. Ultimately it is a tale of trying to find art purely through the dirt but the details like the fact that this transferred wine maker is not of the country and the essence of the supreme value of the soil and how it has been built or maintained throughout the millennia gives the narrative due resonance.
The Mist & The Maiden This crime thriller from Spain set on the canary islands is part of festival’s crime subsection this year. The way it intersects intellect and lust interplays some of the best constructs in the genre, both Hollywood & otherwise. There is an uncanny beauty to the women and an inherent masculinity to the men so it harks to almost a different time. The very essence of Veronica Echequi as Ruth oozes both sensuality, practicality and ultimately a sense of manipulation, compassion and opportunity. It is her presence that both grounds and elevates the film. The necessity of not explaining everything and indeed laying certain elements of blame on the system works but inherently the essence of greed and human nature plays in. One specific scene on the deck between two investigators laid bare shows a texture of play and strategy that brings to mind the more edgy moments of “Basic Instinct”. No one is spared yet the lesson of consequence looms tragically in the sense of cause and effect or more effectively silence and hiding in plain sight.
By Tim Wassberg