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IR TV Review: JETT [Cinemax-S1]

The texture of a series like “Jett” really keys into understanding what it is but the implicit necessity of what can be done within its confines. Writer/Director Sebastian Gutierrez and his wife/actress Carla Gugino have a real sense of the way to make noir idealism with sexuality and emotional overtones without becoming melodramatic. They have done this in many of their low budget films like “Elektra Luxx” and “Women In Trouble” but were always limited by the budgets or the eyes of the independent film crowd.

In making “Jett” with Cinemax (which has delivered another interesting tale right after “Warrior”), this series takes that European sensibility that Gutierrez has created (watch his most recent film: “Elizabeth Harvest” which played SxSW in 2017), but gives it an effective almost low end DePalma make over without losing the abstract elements in part that have become a stalwart of these collaborations. Gugino famously starred in “Snake Eyes” with Nicolas Cage for DePalma nearly 20 years ago so seeing her transformation from there to this is undeniably satisfying. Though there are moments of plot driven exposition, the idea and dynamics flow along at a decent pace while still letting some of the scenes breathe.

The plot without getting into too many details follows Jett played by Gugino whose real name is Daisy who is a master thief both helping and providing intel for Charlie, a debonair gangster played with aplomb by the dynamic Giancarlo Esposito. Many different characters interplay but what is interesting is no matter how damaged they are, or how cold Jett might be, there is always a sense of what might be called malignant hope…a hope that gnaws in the plot and the characters even though you know it is bad to believe in it. Whether it is Elena Anaya (who Almodovar discovered) as the rock Maria to Gaite Jansen as the lost Phoenix to Michael Aranov as the intrepid Jackie, there is so much to rip them apart and yet certain travails keep them going and connected. The violence is motivated but also malignant in its wantonness.

Gutierrez is specific with his colors and textures as he has always been but what this medium allows him to do (as he wrote and directed all 9 episodes) is a consistency of vision but also to focus on small character moments which are made specific by the titles of all the episodes. One of the more dynamic because it doesn’t focus as much on the main characters is called “Rosalie” where Bennie, one of Esposito’s hitmen, gets into a different situation than he bargained for with one of the affected victims of a hit. It is both a diatribe on human behavior but also ironically funny and introspective in many ways. The inherent essence also behind “Jett” is that it doesn’t feel it necessary to put an air of true finality on certain relationships and yet it defines them…it gives the perceptions of the characters but lets the viewer decide on their own what they think of them.

“Jett” is by no means an excellent series but it is quite good. It is self indulgent at times. But it is also undeniably poetic and vicious, tender and dark, beautiful and messy. Gugino glides through the scenes like a crow stalking its prey but also understanding that without the surrounding messy ends around her, she would not exist. Her losses are visceral but they are also necessary. Jett is an image but also a reality in terms of the character build. And for that reason because Gugino and Guitterez can approach this material in this medium with a sense of instinct, style, fun and gravitas, it allows that kind of tone that maybe might have been difficult to give a wide breathe in an independent movie the kind of texture it needs in a cabler series like “Jett”.

B+

By Tim Wassberg

IR Interview: Carla Gugino & Cady Coleman For “The Space Between Us” [STX]

IR Television Review: Human Falacies & Supernatural Idiosyncracies – Returning Television Shows – Spring 2012

The intention of human fallacies in unwittingly non-normal situations whether it is tracking drug smugglers, taking down a government agency or trying to exist as a supernatural create in a world of human brings its own set of idiosyncrasies which allows the participants to react in a variety of ways but most necessarily in the normality of who they are.

Justified [FX] Adjusting to a life without a murdering matriarch consumes itself to the will of Yankees invading the plot in the smiling goodness of Neal McDonough, Now granted Raylan (the always cool Timothy Olyphant) is still pervading his sense of Southern law, but, at some point, the women in his life get sick of it. His former flame returned to darkness in the intent of her ex, Boyd Crowder, who has found his way to enlightenment through a more demonstrative criminal method. The realization of Raylan, especially when he gets into another shootout in a hotel, seems to prove that he doesn’t have what is needed to be “father” material. Enter Carla Gugino (always a welcome sight) as a Director in the Marshall service who gives Raylan a run for his money. In terms of her resurrection in terms of intermingling with Raylan’s heart, only time will tell. This bodes darkly, especially with a treacherous and involved runner of organized crime who seems the figure to beat, personified in the visage of Mykelti Williamson who brought tenderness as “Bubba” in “Forrest Gump” but hits the intended notes of intelligence and intimidation which has not quite yet come to fruition.

Nikita [CW] Involving the notion of psychology into the reasoning behind Nikita’s actions to take down Division, the source of all her strength and death, becomes more dastardly when the woman responsible for recovering her from her initial life as a junkie becomes one of the masterminds behind the company that caused her so much grief. Many of the plot developments begin to take on double negatives especially with a girl Nikita brought back from the brink now the focus of an internal hit squad. Percy, right now the most engaging of the villains (after getting out of his box), mingles a turn of loyalties with the wantonness of Nikita to try to balance both sides of the equation but situations, despite her best efforts,  are likely to explode on cue.

Royal Pains [USA] HankMed has truly got into a normal functioning matter-of-course with Boris’ illness somewhat under control and the boys’ dad taking responsibility for his earlier sins. The more interesting structure of this season, by extension, is Evan’s relationship with his girlfriend-now-fiancee. The class structure progression of this ideal is something that some people might relate to if one has experienced The Hamptons because the possibility of all is right around the corner and it dexterously keeps you on your toes. Hank’s pressing perception also lies in the fact that Jill, his past and present girlfriend, is leaving to do her part in Uruguay and that his one true friend on the peninsula, a pro golfer named Jack [played with aplomb abandon by Tom Cavanagh], is suffering from a manageable but deadly progression of lupus and just wants to joke it away. Divya is dealing with class structure pressures from the opposite direction in that she has to pay back her part for bailing on her Hindu wedding. All within, the series is attacking more domestic issues which give it a sense of depth without the ideal that everything in these people’s lives will collapse at any given moment.

Being Human [SyFy] The predatory nature of the leads involved in this series dictates that everything in their lives cannot remain structured and unchanged as life (or death) always has a way of creeping up on you. Our lead vampire, despite being able to quench his thirst for blood while working at a hospital, only needs to watch the undoing of his maker from last season to propel him into a situation he cannot control. The most intriguing of all is the introduction of his lost love who supposedly went on a rampage when he was around in the 1920s. The flashbacks and the way they are captured are undeniably forthcoming because it shows the indelible sense of self-control that is required of this person. Our werewolf in question is both bringing and diminishing more from his pack and the dichotomy of his new girlfriend because of what she is, emboldens the idea of alpha versus benign into a very tense atmosphere. Our ghostly female roommate-in-question finds more of her own and finds out that it might be possible for her to sleep (and therefore dream) but it unlocks something inside her which, when compounded with certain forms of addiction (like possession of a human to experience sex), creates an interesting form of withdrawal which is unbalanced by the death of her mother. The series continues to explore utterly human experiences in otherworldly situations using a seemingly progression of morality.

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