The doubt of doing the right thing revolves in the progression of what is being fought for. Like the last episode “Deal No Deal”, Episode 7 of the Final Season of “The Clone Wars” entitled “Dangerous Debt” borrows in the movement of what Ahsoka Tano needs to prove and what her path is. While there are some interesting moments, the story drags a little. Perspective for the most part is needed. This shows at one point in understanding the inclusion of the sisters Martez that Ahsoka now finds herself with. The interesting thing that the writing does here is place a previous event which might have been fleeting to other characters before that in a split second changes the perception elsewhere. The problem is that the moment in the episode could have had much more resonance. There is less soaring cinematics here than one would think. There is definitely room for them but unlike early episodes it seems to be rushing the story back and forth quickly when it doesn’t need to.
The true story we want to watch is Ahsoka’s pull versus and against for using The Force. That is the true existential element here but 3 episodes into her arc in this season, it is not emotionally tugging enough. Ahsoka is very smart. She left the Jedi Order for a reason. But watching people fail even though the instinct is to help is an interesting quandary. We need to see more of that. It is in this case that flashbacks, even briefly would be acceptable, even for an ardent follower of the show. “Dangerous Debt” refers to a shipment of spice that Ahsoka’s new friends dumped impulsively that lands them on a prison planet under criminals. There is an interesting small story point playing with a voice that sounds all too familiar but the time frame is all wrong. There is a plan for Ahsoka but it would be interesting to see a little bit more of those quiet moments balanced with the awe sometimes Star Wars has.
By Tim Wassberg
Harley Quinn, by her own admission, is a hellion but she sparks by the beat of her own drum. As the 2nd season of the animated show enters with the first episode “New Gotham”, the beauty of this kind of cartoon becomes clear. It is an adult cartoon and embraces it, none more than Kaley Cuoco, who brings a degree of flagrancy in Quinn embracing that inner party girl that we always knew was within Penny. The introduction of the 2nd season shows a lawlessness in play. In many ways, the set up is inspired by “Escape From New York”. Considering in another life, Snake Plisken would have been Quinn’s surrogate father, the comparison definitely plays to the texture. Like “Birds Of Prey”, the aspect has Quinn out on her own but with a band of misfits. Poison Ivy, like any good roommate on a dark “Clueless” adventure, understands the impulse that Quinn deals with her decisions but not the logic.
As the episode progresses, the idea that permeates is that there has to be some order within anarchy (i.e. “Escape From New York”). The episode (and the series) does not back off from the language and the gore which is refreshing while the comedy (especially the sushi irony with a shark wanting a human roll per se) is decidedly dark on purpose. That said, the comedy is fairly freewheeling and more in the context of what psychotics might talk about. Ultimately, all kidding aside, the overall motivation is power. But Quinn, in her best traits, knows how to subvert power. Her interlude inside a bar to all the underlings of other crime lords is inspired in many ways. Harley wants to have her own little world because oddly enough that is where her peace lies. In “Birds Of Prey” it was her apartment until it was demolished. In this episode, it is an abandoned mall where she has her own sled pulled by her hyenas and she kidnaps sushi chefs. Happiness is a state of being and with this episode, chaos is Quinn’s favorite as long as it has the simply pleasures.
By Tim Wassberg
Knowing what the mission is and knowing the right action to take has always been at the corner crux of what makes Ahsoka Tano tick. She knew what her Jedi Master was doing. She could see the cracks…but she likely thought that he was simply operating outside the box. However it was in the aspect that Anakin got too close to people and he couldn’t control it until it spun out of control. In the continuation of her final season story in Episode 6: “Deal Or No Deal,” Ahsoka tries to help newfound friends against her better instincts and watches as she has to adjust them and help much like she did at lesser points with Anakin. The difference is that his instinct was mostly correct and helped her and supported her in balance. The balance of her new friends and their ambitions is an aspect of operating in the dark.
Ahsoka’s instincts are still good but she doesn’t know what she wants. She had the right temperament for a Jedi, better than many, but that is why her post-Jedi path needs to make sense. We see, in a sense, down the line in “Rebels” and perhaps beyond, where she ends up but it all needs to fit together correctly. Mostly it is trying to realize and help others to the best of your ability but if they are headed down a certain path, one can only try to cushion the blow, and not stop the trajectory. There is one moment when a connection happens across space. It is a great moment though nothing is said. The intersection plays out but it is able to breathe which it seems within this new iteration/continuation works better than its predecessor. These little character beats say so much more and at times exceeds the plot that the season might ultimately be aiming for.
By Tim Wassberg