Category Archives: Television Reviews
Working towards a common goal has always been the S.H.I.E.L.D. way but where does survival begin when hope fails. In the Marvel Universe, everything can be faced by a new path. And with some, as “Infinity War” showed, many simply come to an end. Timelines move and fade but it is about making them seem real but at other times unattainable. Cause and effect is what promotes the current Episode 11: “Brand New Day” of the final season of “Marvel’s Agents Of S.H.I.E.L.D.” Sybil is an interesting construct because it is about a computer built on logic but again in another timeline she doesn’t exist. An interesting element of this episode, while giving nothing away, is the path where it leads. A big texture in multiple storylines between and within the plot has to do with contentment but also safety in an abstract way, not from death but from being alone. That is a truly interesting idea. Even when Tony Stark is drifting in space or even pointing to a big aspect of James Kirk lore, is the idea that everyone is alone. It is an interesting construct for a S.H.I.E.L.D. but one that rings true the deeper one goes. Even looking at Jenna and her connection with the character Fitz speaks back to this metaphor which can be both literal and figurative at the same time. This episode raises the stakes but it almost starts to create a blueprint in an odd way. Nothing is by chance but wild cards always lead the way.
By Tim Wassberg
The aspect of consequence but also perception figures heavily into Episode 10: “Stolen” of Season 7 of “Marvel’s Agents Of S.H.I.E.L.D.” After the previous episode, which in any series would be hard to top, the follow-up might feel like a let-down, just by the nature of the energy of the previous episode. In its inception, the story of the ep is a little jarring because the location is not automatically assumed. Certain structures are in play and there is a plot angle that needs to be accomplished. Again the Sousa/Daisy interconnection is important. But without giving anything really away, it becomes about truth in the greater sense of the word. How Daisy vs. Sousa sees the world sometimes does not take into account all the variables. The key in this episode is characters and their belief or perception in what they ar seeing. That continues to change which speaks to the new time angle of what is going on. Whether this affects or impacts the next phase is still to be seen but every move is made or conceived for a specific reason, even if it is a minor detail in the construct of the universe. “Stolen” works slow and steady but this more readily set ups the structure of the new twists to come.
By Tim Wassberg
Trying to find a new structure inside the idea of The Muppets in an interesting quandary. These are old school puppets who find themselves in a new world and yet they need to be a product of it without seeming antiquated or behind the times. “Muppets Now” is a direct reference to that. It takes into account that some of the most successful elements of The Muppets recently have been their You Tube shorts playing to music video covers and such which plays into vignettes. It is a different beast from the original “Muppet Show” nearly 40 years ago where it was more about what was going off stage as it was on stage. This is inter-played here to be sure but it is not really the same thing. However, it does approach it in a parallel way. Scooter is still doing the tech elements but now with a computer instead of a stage. It incorporates the internet/social media angle and it has the guest stars in many ways in a similar way While it does incorporate some of their personality, pop culture is different now. It would be neat to see how music and comedy plays in but it is not quite there. There is no “Pigs In Space” moment. No Steve Martin plays the banjo. Kermit does on-on-ones that go awry. Miss Piggy has a fashion segment. The Swedish Chef has a cooking show that goes wrong. The show seems to have its ducks in a row but it is not overtly thinking outside the box but it is a tricky line. A lot of the stuff that could be done in the late 70s on a UK produced show perhaps can’t quite be done in close to a similar way on Disney+ in 2020. It will be interesting to see how “Muppets Now” evolves.
By Tim Wassberg