Category Archives: Television Reviews
The essence that “Star Trek: Discovery” is trying to maintain in the sense of its progression is reflecting canon while still maintaining mystery and a sense of tension. With the aspect of “Through The Valley Of Shadows”, the foreshadowing continues and starts an infrastructure that interrelates in an odd way to aspects of “The Wrath Of Khan” but it also offers a bigger perception without either actor ever revealing it of the deep seated secrets or regrets with Spock, whether it be in the outcome of this escapade of “The Red Angel”, the perception of “The Managerie” or even Spock’s eventual second family in the Enterprise crew of Bones and Kirk and his eventual death and resurrection. To do this in a larger structure with the fact that certain ripple effects might literally wipe Michael Burnham out of the timeline at a certain point is a real perception. While reflexive, the show is still working on the basest psychological constructs. And especially within this idea, the concept of time, hinted at in the texture of “Interstellar” and its reflections of relativity, really gives an undeniably concept of the larger ideas that Discovery is playing with. Anson Mount shines in this episode as Pike and again gives clarity of the embracing of his ideas and what creates the shell of the man he becomes, both literally and figuratively. What is really reassuring is the adherence to the original series and its eventual progression and not the timeline of the new movies which while interesting for the big screen is not as integral a story as this one is turning out to be.
By Tim Wassberg
The aspect of loyalty is a concept that unbalances itself many times with “Star Trek: Discovery”. The idea of trust and the greater good can be mired by thoughts and perceptions of selfishness and the intricate values of altruism. In ”Perpetual Infinity”, the idea of what is for the greater good and what simply necessitates survival is what is the key in capturing The Red Angel. Without revealing any plot points, the texture of who we pretend to be always reveals itself in essence who we truly are. Michael Burnham hides her emotions to protect herself from the loss of her mother. Spock hides his emotions because of emotional pain Michael inflicted on him as a child. While the mythic is not as much in play here as the previous episode, the aspect of loss of choice and the resulting idea of consequence takes over the episode in many ways. The fluid dynamics of time have to figure in with what is happening. But the stubborn aspect of Michael’s bloodline in the feeling that every problem can be fixed is undeniable. But as Spock references two aspects of literature in the episode including one to Macbeth, the proof is in between the lines. The texture of tragedy is only a short time away. The future is fluid and is always changing but every possible outcome has a foreboding nature, as evidenced in Christopher Pike, possibly Michael and eventually and most heartbreakingly Spock. It is just in what lays ahead…come what may.
By Tim Wassberg
The aspect of canon has always been a thistle in a way in the side of the “Discovery”. While striving to make something original, this franchise like Star Wars can be helped and hindered. But in its best it transcends. “If Memory Serves” is the best episode of the series by far because it found that balance. In bringing in old TOS lore, and staying fairly close without breaking it, it necessitates what might be in store. The aspect of Michael and Spock is so dynamic because it shows the incessant humanity while completely lost in logic. When he finally begins speaking, it makes a lot of what we have seen past and present integrated. It also very much speaks to perhaps a bigger structural basis between the Kelvin & Prime Universes which undoubtedly is spacing through the writers’ room. That said, despite any of the mechanics, “If Memory Serves” is a dynamic emotional episodes that contains the best perspective of Star Trek episodes in that they make you think, reflect but also emote. While Michael and Spock carry the basis of the episode, it is the balance and intent of Anson Mount as Christopher Pike and his connection that allows for the bridge between two worlds, as Mount alluded to IR at our interview at TCA, without him giving a thing away. Bravo.
By Tim Wassberg