IR Film Review: SXSW FILM FESTIVAL 2018 [Austin, TX]
The texture of many interviews in requisite Midnight and genre categories rendered the viewing of movies for review a little lighter than usual but two films squeezed in with a nature of inventiveness but also a throwback to genre for both.
Upgrade Director Leigh Whannell, know for the SAW films, takes a stab at science fiction under the Blumhouse model with surprising success. Speaking at the Q&A after the film, he acknowledged the texture of ‘The Terminator” as an influence but the inference moves with a much more complex fabric in terms of the human quotient. Owing more in certain terms to Schwarzenegger revenge movies though with more visual flair, the aspect of the lead character being a man not in control of his own body is an interesting existential dilemma. Simply because it was on Comet recently, “Monkey Shines” comes to mind because it involves the protagonist having to think of his life differently. Here after losing his wife in assassination hit and being paralyzed, Grey, an analog man in a near future world, is given a second chance through the aspect of an almost autistic scientist who injects with a thinking spine computer who can only be heard by Grey. The misdirection and notion of what we are seeing really makes it work especially in the action scenes which in the way they are done considering the physical structure of what is being presented is quite ingenious and undeniably brutal. The push forward again culminates in an existential dilemma that only a logical computer bent on survival could make. While there is inherent suspension of disbelief required at times, the pace and tone is pinpoint while allowing some black humor to shine through with exceptional results, especially on a budget.
Elizabeth Harvest This film pushes slightly on an adjacent part of the spectrum with nods to “Ex Machina” as well as the recent “Annihilation” and again it examines an existential journey but one where the person searching for their identity is not very clear on who they are anyways. It revolves around three major players: a newlywed (played by Abbey Lee from “Mad Max: Fury Road”), a significantly older Ciaran Hinds (as her scientist genius husband) and Carla Gugino (whose actual role changes throughout the film). The aspect of stillness and repetitiveness is approached for the necessity of invention and not in a “Groundhog Day” type of way. To reveal the twist is to reveal the movie but suffice to say the psychological element of imprisonment, either self imposed or self created encircles the entire proceedings. The essence of the focus and what it truly means beyond ego is done in a very simple yet complicated manner. The director is Sebastian Gutierrez who is known for writing the film “Gothika”, another film which was based on the misdirect of perceptions but also for directing films like “Electra Luxx” & “Women In Trouble” that subvert genre (along with frequent collaborator Carla Gugino). But like “Upgrade”, the reduced budget allows for simplicity of invention and not spoon-feeding the audience beyond essential and letting many of the characters motivations remain mysterious if unsolved.
By Tim Wassberg
Posted on March 27, 2018, in Film Festival Coverage, Film Reviews and tagged college television, Elizabeth Harvest, film colleges, film festival, inside reel, Leigh Whannell, Sebastian Guiterrez, Sirk TV, sxsw, tim wassberg, Upgrade. Bookmark the permalink. Leave a comment.