Real World Mythology & Grand Progression: Returning Television – Summer 2012 – Part I
Hour-long mythology set within the real world needs to increase its bounty by stakes. Without something truly lost, nothing can be gained but its intensity can’t be fake. While some of the following shows continue to show a penchant in the writer’s room in their willingness to take chances, a wrong step can mean cancellation. The grand progression allows that the following four shows exist on cable where their fate is a little more plausible. Overall though, “Burn Notice” jolts most with a necessary ploy that lifts its possibility yet again.
Burn Notice Nothing hits home as much as family so in order for the series to graduate, the stakes must become higher without losing a sense of tension. Beginning the season with Fi’s imminent degragation at the hands of authority focuses Michael’s penchant away from professional importance to personal survival. In working through this texture and maintaining the status quo, the show maintained its execution. However, with the death of a family member, a whole new psychological angle surfaces that completely changes the tone. This single act is what heightens Michael’s resolve and the fact that he is guilty and to blame is not lost on him. The requisite end game plays that betrayal, whether intended or not, carries a large price tag, even if its true importance does not become specific until later. For this reason, the viciousness in Michael begins to cloud his judgment which is what the show needs because thereby a character starts making mistakes.
Royal Pains The evolution of this show requires a decided amount of intrigue while still keeping the stakes progressing. While this is not as life threatening as the aforementioned “Burn Notice”, the conflict to some degree should be there (even if it is more domestic). Oddly enough with this season, the progression becomes more the ascension of Evan and the conflict of brotherhood. Hank seems to have a higher calling but is held back by both his moral center and his lack of ambition per se. Evan, because he has a girlfriend who is both highly placed and accessible (a very rare commodity), finds traversing the line a bit easier. Hank’s love life, by contradiction, seems to become a bit of a noose around his neck. Though Mark Fuerstein plays it with a little abandon, it tends to feel forced as does Henry Winkler’s inclusion (despite its obvious comedic value). The balance to Evan’s element comes in the form of Divya, the physician’s associate, simply because she is suffering the same crisis of class that Evan is but moving in the reverse. The intrigue of the series wants to center around Boris (played with aplomb by Campbell Scott who understands the necessity of gravitas) but unlike previous seasons, its stakes don’t carry as much weight.
The Glades Using the aspect of a long distance relationship as a distraction for Matt Passmore’s uber-focused Jim creates an interesting dynamic that points to his survival in more ways than one. For something to truly affect him, something needs to be undeniably lost. In his relationship with Callie (who has moved to Atlanta at his motivation for a job), there doesn’t seem to be anything chemical to attach them. There is a stronger connection between him and a visiting bureau chief: Jennifer Stark. She is there to evaluate him but her tantalizing and alluring beauty tempts him though he doesn’t act on it. However, her approach seems too obvious to be realistic. The actual act would need to be more clandestine. The team, including Carlos and their intrepid intern, have a nice balance going but the investigation of Jim’s effectiveness, especially his inablity to be on the witness stand because of his methods, mirrors a similar problem “The Finder” faced on FOX before it was cancelled.
Covert Affairs Watching Annie Walker traverse what she believes the CIA is and knowing the balance between using an asset and being conned has always been the angle of the show. What continues to be interesting about watching her and Auggie (played by Christopher Gorham) is how their human failings affect their true CIA effectivenss. Like any other job, it is all about how one reacts or doesn’t react under pressure. Annie is a lonely soul who wants connection but her skill set and her ambition drive her into situations that she more and more can’t control. Her arc with Russian would-be spy/mercenary Simon carries risk because you can tell there are feelings on both ends that can only end badly. Her actions will continue to harden her and will either get her sister or Auggie killed in the process (most likely by the CIA) which might bring up a whole new can of worms, for her, as a mercenary. Auggie’s psychological development (especially with him going into the field as well as his turning point when he is captured by pirates with his would-be fiancee) points to a larger ghost hanging below the surface. His mandatory counseling and inability to directly connect with Annie (especially with her going off-book with another division) creates tension but her loyalty to her is unwavering.
Posted on August 20, 2012, in Television Reviews and tagged a&e, Annie Walker, Burn Notice, Campbell Scott, Christopher Gorham, Covert Affairs, Mark Fuerstein, Matt Passmore, review, Royal Pains, Sirk TV, television, The Glades, tim wassberg, Wakarusa. Bookmark the permalink. Leave a comment.