The tendency of people to find themselves again always seems to reflect in some kind of self-fulfilling prophecy. Don Draper of “Mad Men” is no different. In trying to affect his own sense of moral center, he is moving against who he really is and not what he is appearing to be. After the jump in years which made intuitive sense, the ideas of the entire agency begin to show the motivation of who they want to be. Pete Campbell, the newly fulfilled partner in the firm, wants to create the perfect view of what life should be in his eyes but, in doing so, feels even emptier than what Don has become. In doing this parallel storyline with Pete’s fading morality and belief in what is really definitely shows the dexterity of Matthew Weiner’s writing. The progression of “Mad Men” is cyclical but also universal: one always wants what they don’t have. This is especially true in high-competition industries.
The handling of the female lead story lines, particularly Joan and Peggy through the season, shows two characters moving towards the same center from completely opposite directions. Joan starts off the season as a new mother trying to adhere to her place but realizing that this is against her nature which she promptly rectifies at a certain point. Peggy’s ambition, like everyone, reflects in how much she is needed and what she has learned. When she comes to a life change (which also inter-played with her decision in an earlier season arc), she makes the right decision. At one point, she and Pete intersect and the slight moment created is just enough to show the cycle.
Don meanwhile, in this deck of cards, is trying to be the doting husband and be supportive in what ways he couldn’t with Betty because of the secrets he is hiding from her. His wife, albeit 15 years younger than him, knows all his secrets and he tries to stay in line but anything that is familiar can eventually get boring which eventually strays his thoughts. The intention of the closing of “You Only Live Twice” shows that life renews itself but creates the same temptations. The use of different emotional components like Don’s supposed hallucinations of one of his old conquests coming back to haunt him shows that the ghosts are still there. Like Pete who is experiencing his similar problems of year past, the belief of redemption is steeped in thoughts of middle-dom which does not suit this world. Life is short.